This chapel, inaugurated in 1928, offers decoration and furniture bearing meaning and symbols, which are as many invitations to interiorisation, reflection, meditation and prayer. The walls are covered with ex-votos.
In the choir of the chapel, the lower part of the altar represents a Nativity where Saint Thérèse offers a rose to the Child Jesus.
At the top, a sculpture shows the Child Jesus placing a rose in the left hand of Saint Thérèse who, with her right hand, spreads it on the ground. The Child Jesus stands near the Cross, a sign of Salvation. The veil of the Holy Face reminds us of the Passion of Christ and the name of Thérèse: Thérèse of the Child Jesus and of the Holy Face.
To the right of the altar, the reliquary of Saints Louis and Zélie and their daughter Saint Thérèse is fixed on a glass plate. Three tubes in bronze and gold contain them: chiselled lace for Saint Zélie recalling her work as a lacemaker, gears and clock hands for Louis and in the center a rose covers the one hosting the relics of Saint Thérèse.
On the right side wall opens the native chamber. The door takes on the symbol of the passage into another space. Set back from the windows, the door frame allows the eye to pass through, making the interior space of the bedroom accessible. On the bronze, the text confronts the mystery of life and death: “Here, life and death rub shoulders. The Martin family learned to love each other and to abandon themselves to providence”.
The three steps, with the words God first served – Love and trust – Justice and charity invite you to rise towards heaven. These words are the life orientation translation of Saints Louis and Zélie Martin.